Poet Sor Juana Inés de la Cruz & Church of Santo Domingo 1000 Pesos Mexico Authentic Banknote Money for Jewelry and Collage (Tenth Muse)
Poet Sor Juana Inés de la Cruz & Church of Santo Domingo 1000 Pesos Mexico Authentic Banknote Money for Jewelry and Collage (Feminist) (Tenth Muse)
Obverse: Portrait of Sor Juana Inés de la Cruz
Lettering: El Banco de Mexico
Un Mil Pesos
Translation: The Bank of Mexico
Reverse: Church of Santo Domingo and Plaza Santo Domingo
Lettering: El Banco de Mexico
Un Mil Pesos
Watermark: Sor Juana Inés de la Cruz. Radiant quill pen over watermark area at left.
Period United Mexican States (1905-date)
Type Standard banknote
Value 1000 Pesos (1000 MXP)
Currency Peso (1863-1992)
Size 157 × 67 mm
Demonetized 1 January 1996
Number N# 215317
References P# 81, P# 85
Doña Inés de Asbaje y Ramírez de Santillana, better known as Sor Juana Inés de la Cruz OSH (12 November 1648 – 17 April 1695) was a Mexican writer, philosopher, composer and poet of the Baroque period, and Hieronymite nun. Her merit as a true master of the Spanish Golden Age gained her the nicknames of "The Tenth Muse" or "The Phoenix of America", for she was probably the most accomplished author of the entire history of the Spanish Americas, and a flame that rose from the ashes of "religious authoritarianism".
Sor Juana lived during Mexico's colonial period, making her a contributor both to early Spanish literature as well as to the broader literature of the Spanish Golden Age. Beginning her studies at a young age, Sor Juana was fluent in Latin and also wrote in Nahuatl, and became known for her philosophy in her teens. Sor Juana educated herself in her own library, which was mostly inherited from her grandfather. After joining a nunnery in 1667, Sor Juana began writing poetry and prose dealing with such topics as love, feminism, and religion. She turned her nun's quarters into a salon, visited by the New Spain's female intellectual elite, including Donna Eleonora del Carreto, Marchioness of Mancera, and Doña Maria Luisa Gonzaga, Countess of Paredes de Nava, both Vicereines of the New Spain, amongst others. Her criticism of misogyny and the hypocrisy of men led to her condemnation by the Bishop of Puebla, and in 1694 she was forced to sell her collection of books and focus on charity towards the poor. She died the next year, having caught the plague while treating her sisters.[
After she had faded from academic discourse for hundreds of years, Nobel Prize winner Octavio Paz re-established Sor Juana's importance in modern times. Scholars now interpret Sor Juana as a protofeminist, and she is the subject of vibrant discourses about themes such as colonialism, education rights, women's religious authority, and writing as examples of feminist advocacy.
Santo Domingo in Mexico City refers to the Church of Santo Domingo and its Plaza, also called Santo Domingo. Both are located three blocks north of the Mexico City Metropolitan Cathedral following Republica de Brasil Street with Belisario Dominguez Street separating the two.
Officially known as the Señor de la Expiración Chapel, the church is located on the north side of Belisario Dominguez and faces the plaza. It is all that is left from one of the first monasteries to be established in New Spain. This monastery was established soon after the Dominicans arrived to New Spain in 1526. They moved into houses that were donated to them by the Guerrero family, where later the Palace of the Inquisition would be built. The initially replaced the houses to found a church, living quarters and a jail for those found guilty of religious crimes. (The Dominicans were in charge of the Inquisition.) A couple of decades later, it was decided that expansion was needed and the first church on the Santo Domingo site was consecrated in 1590. Around it was built the monastery, funded by Philip II of Spain, with four patios which divided the monks and laypeople associated with the monastery by rank as well as a main hall, a rectory, a library and an infirmary. However, poor construction, the soft soil and earthquakes made rebuilding a necessity. The second church was built between 1556 and 1571. The current church the third to be built on this site. It is Baroque architecture made of pink stone, begun in 1717 and finished in 1736. The monastery and atrium that the church used to be part of was destroyed in 1861 during anti-clerical movement, destroying the chapel of Del Rosario and Tercera Orden as well. This opened up what is now Leandro Valle Street on the church's west side.
Due to its style, the church is attributed to Pedro de Arrieta. The general style is considered to be Mexican Baroque but before the introduction of the common "estipite" column with its signature inverted truncated pyramids. The front facade is covered in tezontle, a blood-colored volcanic stone and the portal is made mostly of cantera, a white/grey stone. It has twelve columns around the main entrance, with Saint Francis and Saint Augustine on the first floor. On the second floor, a stone relief depicts Saint Dominic kneeling as he receives the keys of heaven from Saint Peter and the Epistles from Saint Paul as the Holy Spirit rises above the group. In the center at the top is a bas relief of the Assumption located between two windows that light the choir area. It is decorated on the east side with stone figures of Saint Dominic and Saint Francis. Their arms are intertwined and shown to be literally holding up the Church of Letrán.
Inside, the floor plan of the church is that of a Latin cross. The main altarpiece is neoclassical and the work of Manuel Tolsá, which was created to replace the original Baroque one done by Pedro Patiño Ixtolinque. The altar to the left of the transept is dedicated to the Virgin of Covadonga. On a wall in the wide central area, there is a large niche containing the image of the Virgin Mary. Above this is a sculpture depicting the scene at the Calvary. Higher still is an oil painting of the Coronation of Mary and at the crest is the cross of the Battle of Covandonga between two windows. Each of the lateral windows has two oil paintings decorating them and finished with the coat-of-arms of Castile as well as the emblem of the Dominican order. This area is completed with the reliefs of saints and the carvings of cherubs. At the right of the transept, there is the Virgin del Camino altarpiece created by Alonso López de Herrera. The altarpiece contains figures called the "Descent," "Saint Dominic in Soriano," and gilded statues of the martyrs Saint Peter and Vicente Ferrer. The church also has a choir in the shape of a horseshoe with 32 seats made of cedar, each with an image of a different saint carved in relief into the backs.
Next to it is the neo-Baroque Rosario Chapel which dates from 1946.
This church also contains the tomb of Conquistador and explorer Francisco Vázquez de Coronado. He is well known for having explored what is known today as the US Southwest. It was one of the largest expeditions carried into the North.
To the south of the church is Plaza San Domingo. It is flanked to the west by the Portal de Evangelistas, which is a Tuscan colonnade with round arches. Scribes with typewriters and antique printing machines work in this Portal. Scribes offer their services to illiterate clients, often offering services similar to that of lawyers, counselors, and financial consultants. A statue of Josefa Ortiz de Dominguez, a heroine of the Mexican War of Independence stands in a fountain in the middle of the plaza. It was sculpted by Enrique Alcati.
Unfortunately, this area is also very well known for the falsification of documents. According to the intelligence division of the Policia Judicial of the Distrito Federal, in addition to the 242 print shops that operate legally in this zone, there have noted 614 cases of printers set up to falsify documents in the various apartments and other living quarters that surround this area. Most of these are located on La Plaza 23 de Mayo, República de Cuba, República de Chile an Justo Sierra Streets.
Very good quality! Happy to have this in my collection now!